Edifice Complex continued

The Edifice Complex continues to rear its head — yet another new performing arts building is conceived with little thought to the art that will reside inside and outside. Juxtaposed articles in The Scotsman demonstrate clearly how a new building can exacerbate local problems with little interaction with local artists and the community’s music education institutions.

The Edifice Complex demonstrates the income inequality problems of the developed world that have evolved over the past few decades. Wealthy patrons in many cities want to justifiably indicate the maturity of their cultural scene through the construction of a world class facility for the performing arts or a museum to show their collection of priceless treasures.

Events vs. Culture

My observations of our world have a recurring theme —  ample resources exist alongside an inability to spend wisely. Whether looking for solutions to the pressing problems of the environment, education, or politics, people who control the money rarely look beyond their individual experience to explore what is best for their community.

In politics, each voice tries to scream the loudest to be heard rather than finding a compromise. We have charter schools with their own focus to the detriment of public education. The oil industry continues to deface our planet for profit. And in the cultural world, we throw money at status entertainment rather than developing paths to future creativity.

Mis amigos en México

At times of natural disasters, such as the recent hurricanes in Florida, Texas and the Caribbean, and the earthquakes in México, tragedy becomes personal when you have friends or family in harm’s way. We have many contacts around the globe who cause us worry when we read about threats to their countries. Luckily everyone is safe this time and we send our best wishes that life will return to normal as soon as possible.

With this blog post, I look forward to introducing you to some of our other dear friends with whom we have collaborated over many years, and continue to enjoy making music together. The artistic vision of Southwest Chamber Music, the ensemble my husband and I founded in 1986, has always included a commitment to diversity, reflecting the reality of the population of Los Angeles.

The Edifice Complex

Now that I have introduced my background filled with dear colleagues and friends, I would like to explore my observations about the arts and education environment over more than 30 years. The components of performing, administering, teaching and writing have given me a unique perspective that I look forward to sharing with my readers.

What’s Next? will present my opinions and suggestions about the future of the arts and education. These are two vital elements of a successful society. Many of our challenges in our lives today can be traced to poor education and missing creativity. The arts can provide many of our solutions if they are reintroduced into our lives on a daily basis.

Meet the Musicians

We arrived in Hanoi in September 2016 to begin the second season of the Hanoi New Music Ensemble. Jeff and I were hopeful that the enthusiasm and accomplishments of the inaugural season would keep the ensemble moving forward — all signs were good!

However, there are challenges forming any new group throughout the globe. Which players are a good match for the demands of new music? How will we prepare and rehearse within players’ busy teaching and orchestra schedules? Where will the concerts be held and how will we find an audience? Who will organize the rehearsals, percussion, and piano?

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