My new book, What’s Next? Creativity in the Age of Entertainment, is an exploration of our creative environment today viewed through the lens of my multi-faceted career. I focus on creativity as the background of the arts, innovation and culture, and the inspiration it provides throughout our society. The challenges I’ve observed in our cultural and work environments —confused definitions, the disappearance of arts education and media coverage, misguided and struggling arts organizations, poor education for work and life skills —are all a result of living in the Age of Entertainment.
I am happy to present my blog to you! The site and my first book reflect years of wearing multiple hats as a musician, arts administrator, educator, producer, and cultural entrepreneur. It is my response to my friends, family and colleagues who asked to hear more about my experiences and observations.
Over the course of my career, the arts environment (as well as many other things) have changed dramatically. The cultural scene today, both in the United States and abroad, is very challenging. I plan to explore these shifts in depth and respond to new developments as they happen. My wonderful friends in many countries give me an international perspective through our ongoing discussions about artistic and cultural issues.
Osaka, Japan, is usually off the radar of most tourists. It is Japan’s second largest city and contains many of the advantages of Tokyo on a slightly smaller scale. The food scene is one of the most exciting in Japan, with local specialties such as okonomiyaki (a version of a Japanese pizza cooked on a griddle with your choice of ingredients), unusual fish from the ocean nearby, and small restaurants that present Kushikatsu cooking of seemingly endless ingredients grilled on skewers.
The arts scene is also important, with three local symphony orchestras, lots of chamber music, and local theatre and opera such as Bunruku which combines traditional music with life-sized puppets in 500 year-old stories.
Building upon what exists, creating that which does not exist — Culture is something that needs to be nurtured on top of accumulated history and memories. . . . it is about creating a condition where the old and new coexist in a fine balance.
This quote by Pritzker Prize-winning architect Tadao Ando is an accurate observation about the creative process. I recently had the opportunity to attend an important exhibition of his past and present work at the National Arts Center in Tokyo, Japan. I was unfamiliar with his architectural achievements and happy to learn more about this influential and accomplished person.
The Edifice Complex continues to rear its head — yet another new performing arts building is conceived with little thought to the art that will reside inside and outside. Juxtaposed articles in The Scotsman demonstrate clearly how a new building can exacerbate local problems with little interaction with local artists and the community’s music education institutions.
The Edifice Complex demonstrates the income inequality problems of the developed world that have evolved over the past few decades. Wealthy patrons in many cities want to justifiably indicate the maturity of their cultural scene through the construction of a world class facility for the performing arts or a museum to show their collection of priceless treasures.
My observations of our world have a recurring theme — ample resources exist alongside an inability to spend wisely. Whether looking for solutions to the pressing problems of the environment, education, or politics, people who control the money rarely look beyond their individual experience to explore what is best for their community.
In politics, each voice tries to scream the loudest to be heard rather than finding a compromise. We have charter schools with their own focus to the detriment of public education. The oil industry continues to deface our planet for profit. And in the cultural world, we throw money at status entertainment rather than developing paths to future creativity.