Mis amigos en México

At times of natural disasters, such as the recent hurricanes in Florida, Texas and the Caribbean, and the earthquakes in México, tragedy becomes personal when you have friends or family in harm’s way. We have many contacts around the globe who cause us worry when we read about threats to their countries. Luckily everyone is safe this time and we send our best wishes that life will return to normal as soon as possible.

With this blog post, I look forward to introducing you to some of our other dear friends with whom we have collaborated over many years, and continue to enjoy making music together. The artistic vision of Southwest Chamber Music, the ensemble my husband and I founded in 1986, has always included a commitment to diversity, reflecting the reality of the population of Los Angeles.

Multiple Hats

My life has been defined by multiple hats, switching each of my career roles as necessary. My first love was the theater, but I was also involved in music from a very early age. Dabbling in the visual arts, film and dance provided me with lifelong appreciation. Add to this many opportunities that came my way growing up near New York City, and it doesn’t surprise me that my career paths reflect my multiple interests and training.

As I look back, I am fortunate that my parents had a small family business that gave me a valuable model for self-employment. When my husband Jeff von der Schmidt and I decided to form a non-profit corporation many years later, we knew what that would mean on a daily basis

What’s Next? Creativity in the Age of Entertainment

My new book, What’s Next? Creativity in the Age of Entertainment, is an exploration of our creative environment today viewed through the lens of my multi-faceted career. I focus on creativity as the background of the arts, innovation and culture, and the inspiration it provides throughout our society. The challenges I’ve observed in our cultural and work environments —confused definitions, the disappearance of arts education and media coverage, misguided and struggling arts organizations, poor education for work and life skills —are all a result of living in the Age of Entertainment.