Events vs. Culture

My observations of our world have a recurring theme —  ample resources exist alongside an inability to spend wisely. Whether looking for solutions to the pressing problems of the environment, education, or politics, people who control the money rarely look beyond their individual experience to explore what is best for their community.

In politics, each voice tries to scream the loudest to be heard rather than finding a compromise. We have charter schools with their own focus to the detriment of public education. The oil industry continues to deface our planet for profit. And in the cultural world, we throw money at status entertainment rather than developing paths to future creativity.

Mis amigos en México

At times of natural disasters, such as the recent hurricanes in Florida, Texas and the Caribbean, and the earthquakes in México, tragedy becomes personal when you have friends or family in harm’s way. We have many contacts around the globe who cause us worry when we read about threats to their countries. Luckily everyone is safe this time and we send our best wishes that life will return to normal as soon as possible.

With this blog post, I look forward to introducing you to some of our other dear friends with whom we have collaborated over many years, and continue to enjoy making music together. The artistic vision of Southwest Chamber Music, the ensemble my husband and I founded in 1986, has always included a commitment to diversity, reflecting the reality of the population of Los Angeles.

One step at a time

After the inaugural 2012 LA International New Music Festival in Los Angeles, composer-in-residence Vu Nhat Tan turned to Jeff and me, remarking that “Once is not enough!” He was wrapping up six weeks in Los Angeles, courtesy of the Asian Cultural Council in New York City, and we had spent much time dreaming of next steps for contemporary music in his hometown of Hanoi, Vietnam.

Southwest Chamber Music’s historic Ascending Dragon Music Festival in 2010, the largest cultural exchange between Vietnam and the U.S., had left us with many questions about the U.S. Department of State’s goal of identifying a new generation of cultural leaders. Had we accomplished this goal?

The International Language

Music is truly the international language, able to be understood and experienced in any country around the world. I learned this on my first trip to Europe as a graduate student and member of the Boston University orchestra which had been chosen as one of ten orchestras worldwide to compete in the Herbert von Karajan competition in Berlin. Under the baton of the late Joseph Silverstein, we won second prize, and interacted with colleagues from all over the world for the two week festival. Before leaving for the tour, Mr. Silverstein admonished all of us to remember that we might be the first Americans the other musicians would meet, and that we were cultural ambassadors for our country. In other words, people would form their opinions of America from each of us.

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