Mis amigos en México

At times of natural disasters, such as the recent hurricanes in Florida, Texas and the Caribbean, and the earthquakes in México, tragedy becomes personal when you have friends or family in harm’s way. We have many contacts around the globe who cause us worry when we read about threats to their countries. Luckily everyone is safe this time and we send our best wishes that life will return to normal as soon as possible.

With this blog post, I look forward to introducing you to some of our other dear friends with whom we have collaborated over many years, and continue to enjoy making music together. The artistic vision of Southwest Chamber Music, the ensemble my husband and I founded in 1986, has always included a commitment to diversity, reflecting the reality of the population of Los Angeles.

Meet the Musicians

We arrived in Hanoi in September 2016 to begin the second season of the Hanoi New Music Ensemble. Jeff and I were hopeful that the enthusiasm and accomplishments of the inaugural season would keep the ensemble moving forward — all signs were good!

However, there are challenges forming any new group throughout the globe. Which players are a good match for the demands of new music? How will we prepare and rehearse within players’ busy teaching and orchestra schedules? Where will the concerts be held and how will we find an audience? Who will organize the rehearsals, percussion, and piano?

The International Language

Music is truly the international language, able to be understood and experienced in any country around the world. I learned this on my first trip to Europe as a graduate student and member of the Boston University orchestra which had been chosen as one of ten orchestras worldwide to compete in the Herbert von Karajan competition in Berlin. Under the baton of the late Joseph Silverstein, we won second prize, and interacted with colleagues from all over the world for the two week festival. Before leaving for the tour, Mr. Silverstein admonished all of us to remember that we might be the first Americans the other musicians would meet, and that we were cultural ambassadors for our country. In other words, people would form their opinions of America from each of us.

Multiple Hats

My life has been defined by multiple hats, switching each of my career roles as necessary. My first love was the theater, but I was also involved in music from a very early age. Dabbling in the visual arts, film and dance provided me with lifelong appreciation. Add to this many opportunities that came my way growing up near New York City, and it doesn’t surprise me that my career paths reflect my multiple interests and training.

As I look back, I am fortunate that my parents had a small family business that gave me a valuable model for self-employment. When my husband Jeff von der Schmidt and I decided to form a non-profit corporation many years later, we knew what that would mean on a daily basis

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