Tanglewood Memories

Grandma led me to the Press Gate at Tanglewood where her dear friend Louie Esterman held court. Louie stopped us instead of waving us through – “I want you to meet Leonard Bernstein’s children: Jamie, Alex and Nina.” At ten years old, I wasn’t exactly sure who they were, but we nodded to each other. I could tell that Louie thought it was a special encounter.

My mother grew up in Pittsfield, next to Lenox, which is the location of Tanglewood in the beautiful Berkshires in western Massachusetts. As a child, my grandparents Anna and Nathan Bass began taking me to hear concerts at the summer home of the Boston Symphony because of my violin studies. I loved the beautiful environment and enjoyed the music.

Enchanting Chinese Ceramics

Osaka, Japan, is usually off the radar of most tourists. It is Japan’s second largest city and contains many of the advantages of Tokyo on a slightly smaller scale. The food scene is one of the most exciting in Japan, with local specialties such as okonomiyaki (a version of a Japanese pizza cooked on a griddle with your choice of ingredients), unusual fish from the ocean nearby, and small restaurants that present Kushikatsu cooking of seemingly endless ingredients grilled on skewers.

The arts scene is also important, with three local symphony orchestras, lots of chamber music, and local theatre and opera such as Bunruku which combines traditional music with life-sized puppets in 500 year-old stories.

CREATIVITY’S PUZZLE – TADAO ANDO

Building upon what exists, creating that which does not exist — Culture is something that needs to be nurtured on top of accumulated history and memories.  . . . it is about creating a condition where the old and new coexist in a fine balance. 

This quote by Pritzker Prize-winning architect Tadao Ando is an accurate observation about the creative process. I recently had the opportunity to attend an important exhibition of his past and present work at the National Arts Center in Tokyo, Japan. I was unfamiliar with his architectural achievements and happy to learn more about this influential and accomplished person.

Edifice Complex continued

The Edifice Complex continues to rear its head — yet another new performing arts building is conceived with little thought to the art that will reside inside and outside. Juxtaposed articles in The Scotsman demonstrate clearly how a new building can exacerbate local problems with little interaction with local artists and the community’s music education institutions.

The Edifice Complex demonstrates the income inequality problems of the developed world that have evolved over the past few decades. Wealthy patrons in many cities want to justifiably indicate the maturity of their cultural scene through the construction of a world class facility for the performing arts or a museum to show their collection of priceless treasures.

Events vs. Culture

My observations of our world have a recurring theme —  ample resources exist alongside an inability to spend wisely. Whether looking for solutions to the pressing problems of the environment, education, or politics, people who control the money rarely look beyond their individual experience to explore what is best for their community.

In politics, each voice tries to scream the loudest to be heard rather than finding a compromise. We have charter schools with their own focus to the detriment of public education. The oil industry continues to deface our planet for profit. And in the cultural world, we throw money at status entertainment rather than developing paths to future creativity.

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